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An Anthem for Outsiders — Haunt Me and past self Team Up for Spanish, Korean, and English Darkwave Track “Sinner”

Deprived, even when we feel alive We are the fiends they crucify Always a cold and darker night When there’s a price to stay alive And now for something completely…

The post An Anthem for Outsiders — Haunt Me and past self Team Up for Spanish, Korean, and English Darkwave Track “Sinner” appeared first on Post-Punk.com.

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Deprived, even when we feel alive

We are the fiends they crucify

Always a cold and darker night

When there’s a price to stay alive

And now for something completely different: a powerful collaboration between San Antonio post-punk trio Haunt Me, and Las Vegas K-Goth act past self, who have joined forces for a heretical gift for your Easter basket: a darkwave track titled Sinner.

The essence of Sinner lies in its raw, unfiltered portrayal of the realities faced by minorities who dare to diverge in their views and interests. It speaks to the alienation, the othering, and the internal strife that comes with the territory of being different in a homogenized world. Sinner holds up a mirror to a society that prides itself on principles of inclusivity and tolerance, yet often falls short when it comes to embracing diversity in its truest form.
“We believe this is the first trilingual goth/postpunk/darkwave song ever created and so it’s a modern day historical event in our humble opinion,” the band asserts. This unique endeavor blends the potent mix of Korean, delivered by past self, with Spanish from Haunt Me, and English where both acts unite. The seamless integration of these performances -both in language and in sound- is truly remarkable.

For those who see themselves in the lyrics, life is a constant negotiation between authenticity and assimilation. There’s a palpable tension in wanting to honour one’s roots and individuality, yet the expectations and norms of a dominant culture that, intentionally or not, imposes a stifling conformity. Sinner captures the essence of those who walk the tightrope between their distinct identity and the overwhelming pressure to blend in.

Moreover, Sinner sheds light on the spiritual dissonance that accompanies this cultural clash. For those ensconced in a society where Christianity is the majority’s moral and spiritual compass, diverging beliefs can often lead to an existential quandary. The title itself, Sinner, is evocative of this, conjuring up notions of moral judgement and redemption. The song, therefore, becomes a vessel for questioning, challenging, and ultimately seeking solace in one’s convictions, even when they are at odds with the dominant paradigm.

The beauty of Sinner lies not just in its ability to articulate the angst and aspiration of the marginalized but in its capacity to evoke empathy and understanding across the divide. It’s a reminder that beneath the surface of our societal structures and cultural norms, there are myriad human stories, each deserving of recognition and respect.

“Sinner” merges pulsing synths with the airy, spectral touch of shivering post-punk and gothic rock guitars. The vocals, carrying the weight of whispers from the beyond, intertwine with icy, dream-like melodies, offering a profound listening experience that transcends the ordinary.

Listen below:

Haunt Me is the music project and brainchild of vocalist and multi-instrumentalist Darius Davila. The band’s sound can best be described as an eclectic blend of alternative, spanning all flavours of post-punk, deathrock, and goth. We hear elements of The Cure, Clan of Xymox, The Drums, Hers, The Strokes, Beach Fossils, and Interpol in their unique fusion.

past self is a “nugoth band from Sin City,” in their words, comprised of Proteus, Spektor Aether. Originally called Luxury Furniture Store, the trio changed lanes for a more fitting name and released BEDROT last summer.

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The post An Anthem for Outsiders — Haunt Me and past self Team Up for Spanish, Korean, and English Darkwave Track “Sinner” appeared first on Post-Punk.com.

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